HOW TO HAVE SEX AGAIN
digital program
HOW TO HAVE SEX AGAIN
*Tap names below to jump to their bio
Directed by Rosalind Bevan
CAST
Hannah Beebe* - G
*courtesy of Actors' Equity Association
CREATIVE
Nico Parducho - Stage Manager
Hannah Solomon - Lighting Designer
Carter Vickers - Scenic Designer
Anna Hibbert - Sound Designer
Alex Creswick - Intimacy Coordinator
Katharine Means - Publicist/Marketing Director
ADDITIONAL STAFF
Aaron Quevedo, Kenny Cole - Electricians
Anthony Reale - Stage Management Substitute
Ken Yotsukura - Poster Design
Kevin Pershin - Poster Photography
Madison Bevan - Social Media
Ben Swimmer - Video Production
SPECIAL THANKS
The Odyssey Staff, Independent Studio Services, Honora Clemmy and Neat, Maya Channer
Thank you so much to every person who donated money, time, resources, and support to this project. We are so beyond grateful for your contribution, and we couldn’t have done it without you!
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Playwright’s Note
I’ve always been suspicious of the playwright’s note. The idea that you, audience member (thank you for coming), are going to read my writing about my writing before you watch my writing and then later perhaps talk about my writing on your way home feels a little redundant, no? If you’re like me, you’re really here for one of three reasons:
You have, against all odds, arrived early to the theater and your friend isn’t here yet. Having skimmed through artist bios and bravely tamed any resulting jealousies and insecurities, you find yourself with time to kill. Why on earth doesn’t Kevin ever show up on time? Do better, Kevin.
You’ve come alone (also brave!) and need something to do. No pressure, but my suggestion would be to put this program down and strike up a conversation with the folks around you, who just by being here, have demonstrated a shared interest in plays. Either that, or they’re obligated to come because they know someone in the show. Find out which!
You’ve already seen the show, and in the aftermath, have found yourself having questions and wanting answers. Who does this playwright think he is? What gives him the right? My suggestion: ask that friend you brought (or made!). I’m sure they have a take. Kevin always has a take.
If none of the above apply, dear theatergoer, then you’ve come here in earnest to read my writing about my writing. I applaud your zeal, though I admit I’m far more interested in your thoughts than mine. In any case, having now cheekily evaded your scrutiny for the roughly 250 words that were requested of me, I find myself running short on space to say anything too explicative about my work. I’ll leave you with this:
Feel. Don’t let yourself go numb. Feel. Because then you’ll do. And feeling and doing are really good, important things.
Ok! That does it from me. Hopefully Kevin’s here by now. The play is called How to Have Sex Again, and it’s about to begin. Have a fucking blast.
LRM
Director’s Note
I’ve loved this play since the first time I read it. I fell in love with it even more when I heard Louis and Hannah read it aloud at my kitchen table. I literally had tears rolling down my face, they had me laughing so hard. As someone who is often riddled with anxiety and has an opinion on just about everything, G & B were so familiar to me.
To me, this play is a punch in the gut, a kiss on the forehead, and a good long look in the mirror all wrapped up into one. How to Have Sex Again makes me believe in taking risks. In telling someone they are beautiful. In showing up imperfectly but still showing up. In being cringe as hell and yawping to the wind. In putting my freaking phone down.
In making the art I want to make.
Pleasure is what we should be in honest pursuit of. Not instant dopamine hits, not “protecting our peace” so hard we end up home alone on a Friday night, but real human pleasure and joy that lasts. The kind that requires looking another person in the eyes. The kind that requires bravery and letting go.
I hope you feel all the sweaty palms, overshares, voicenotes, late nights and early mornings, laughs, and hope that went into creating this piece for you.
Thank you so so much to the artists who made this production happen, you all are incredibly and scarily intuitive. To my family, and everyone who contributed money, time, advice, and resources, I genuinely cannot express my gratitude enough.
To Hannah, and to Louis. You both really rock. So much. Thank you for being fearless, silly, grimy, gross, bold, bolder, honest as hell, and for trusting me. I love you, there I said it!!
roz
B / playwright
LOUIS REYES MCWILLIAMS is an actor, writer, and filmmaker based in Los Angeles. Acting credits include work on CBS’ Elsbeth as well as appearances Off-Broadway, Shakespeare in the Park with The Public Theater, and extensive regional credits with theaters including The Huntington, Berkeley Rep, The Old Globe, Alliance, and Pasadena Playhouse. He is a member of the 2026 Geffen Writers’ Room cohort, and his plays have been workshopped and produced at the Williamstown Theatre Festival, Trinity Rep, Stanford University, and the Actors’ Theatre LA. On screen, his short film Little Footsteps has played at film festivals around the world, including the Chelsea Film Festival and LA Shorts. He has developed projects with production companies including Assemble Media, Foxtrot, and Houselight Films, and he was a finalist for the 2026 Disney Writers’ Program. He holds a BA with Honors from Stanford University and an MFA in acting from Brown University.
DIRECTOR / CO PRODUCER
ROSALIND BEVAN (she/her) is a director and producer. She is the co-founder and co-producer of The Rebel & The Warrior, an LA-based theatre producing collective in residence at Sanguine Theatre Company. She has co-produced and directed independent projects in LA including a workshop production of HOW TO HAVE SEX AGAIN by Louis Reyes McWilliams and a staged reading of Kira Rockwell’s OH, TO BE PURE AGAIN. She associate directed TABLE 17 and TINY FATHER at Geffen Playhouse; and ARROWHEAD and DON’T TOUCH MY HAIR at IAMA Theatre Company. As a member of the Drama League, she was the associate to Whitney White on White’s original piece, MACBETH IN STRIDE at Yale Repertory Theatre and Brooklyn Academy of Music. Selected directing credits include STUCK in the Hollywood Fringe, STEW at Gloucester Stage; NO CHILD… and TWILIGHT: LOS ANGELES, 1992 at Newton Theatre Company; ECHOES and THE 54TH IN '22, two short audio plays at The Huntington. And MARCUS; OR THE SECRET OF SWEET, THE MOORS, and PROOF as a guest director at Boston University. This summer, she will associate direct THE WHOOPI MONOLOGUES starring Kerry Washington and Kara Young at Lincoln Center Theatre. www.rosalindbevan.com
G / CO PRODUCER
HANNAH BEEBE (she/her) is a Los Angeles based actor and producer, and one half of The Rebel & the Warrior, a producing collective in residence at Sanguine Theatre Company. She holds her BFA in Acting from Boston University and has trained at the London Academy of Dramatic Art, ImprovBoston and The Groundlings. She's worked with The Huntington Theatre Company, Speakeasy Stage, Boston Playwright's Theatre, and Sh!t-Faced Shakespeare. You can catch Hannah performing on stage at the Upright Citizens Brigade in Los Angeles and right in front of you right now. hannahbeebe.com
STAGE MANAGER
NICO PARDUCHO is an LA-based stage manager, and she is very excited to work with kind and talented artists on such an impactful production. She graduated from CSU Long Beach back in 2020, and since then has worked on multiple immersive and new works. Her credentials include Arcane: Enter the Undercity, 2022 Halo World Championships, Stranger Things: The Experience, Afterglow, Delusion, etc. She would like to thank her entire support system for being wonderful and their continued faith, especially her mom and sister. Social Media: @nicopingmechanism
LIGHTING DESIGNER
HANNAH SOLOMON (she/her) is very excited to be back designing How to Have Sex Again! She has a degree in Lighting Design from Boston University, where she met the dream team leaders of The Rebel and the Warrior, Roz and Hannah. Previous credits include Associate Lighting Designer on Here Lies Love at the Mark Taper Forum, Assistant Lighting Designer on A Strange Loop at the Ahmanson Theater and A.C.T., Associate Lighting Designer on Starkid's Production of Cinderella's Castle at the El Portal Theater. She currently works at MPA Lighting. @hsolz.
SCENIC DESIGNER
CARTER VICKERS is a scenic designer based in Los Angeles. He is thrilled to be working on this production and is excited for audiences to see How to Have Sex Again! His previous design and assistant design credits include: Antaeus Theatre Company, Art of Acting Studio, Chance Theater, Geffen Playhouse, Group Rep Theatre, IAMA Theatre Company, New Village Arts, Team Starkid, Theatre West, Theatricum Botanicum, and The Muny. Carter holds a degree in Theatre Arts and Film, Television, and Media Studies from Loyola Marymount University and will be attending UC San Diego as an incoming MFA student. Special thanks to Roz and Louis for this incredible opportunity. Instagram: @carter.vickers
SOUND DESIGNER
ANNA HIBBERT is an award-winning sound designer, writer and performer hailing from Asheville, NC. Since moving to Los Angeles, her recent credits include SYLVIA SYLVIA SYLVIA (Geffen), STUCK (Fringe ’25), WHO ARE YOU (Greenway Court Theatre), and many collaborations with Shakespeare Center LA including THE TEMPESTand RICHARD III w/ Al Pacino. Other regional credits include Dallas Theatre Center, Studio Theatre, and Keegan Theatre. She’s ecstatic to be working with The Rebel & The Warrior on this hilarious and heartfelt new work! IG: @nnahibbert
INTIMACY COORDINATOR
ALEX CRESWICK is an industry creative with extensive experience in development, production, and creative strategy across film, television, digital content, and video games. A graduate of UCLA’s Producers Program, Alex is a recovering VP of Development & Production who oversaw a broad slate of independent films from concept through completion. After gaining a reputation for shepherding complex projects around sex, sexuality, representation and unconscious bias, Alex transitioned into intimacy coordinating and sensitivity reading.
As an experienced diversity editor and sensitivity reader, Alex has supported creators across mediums in strengthening representation and aligning narrative intent with impact. Their recent work includes producing the ensemble feature The Blackout and serving as Creative Content Strategist for Diablo Original Content at Blizzard Entertainment, where they lead ideation, pitch development, and production for Diablo IV. Most recently, Alex served as the Intimacy Coordinator on the short films Paint & Leather, Just Say No, Service Included, and So This is Love. Across roles, Alex brings sharp story instincts, a collaborative approach, and a commitment to bold, intentional storytelling into every project, and is thrilled to be working with the team behind How To Have Sex Again.
Publicist/Marketing Director
KATHARINE MEANS (she/her) is a Los Angeles raised actor and theatermaker. She holds a BFA in Acting from CalArts. She has worked with Center Theatre Group, IAMA Theatre Company, South Coast Rep, Ojai Playwrights Conference, Celebration Barn/Bill Irwin and more. Member: Ammunition Theatre Company. IG: @meanskatharine